This article investigates the treatment of time as a manifestation of the modern phenomenon of simultaneity and the Neo-Baroque in three Latin American authors of modern literature: Juan Rulfo, Julio Cortázar and José Lezama Lima. I compare these authors in terms of the postmodern/Neo-Baroque dialectic in Latin America and its Northern Hemisphere variation: The transreal movement in North America. Considered on a theoretical basis, the kind of time that is manifest in modern Latin American literature is acausal and non-linear. These non-linear time schemes reflect the changing consciousness of modern authors and connect them to a syncretism of indigenous and colonial frameworks of time. The works treated in this study represent a kind of hybrid literature in which the spatialization of time imposes a pattern and sequence that demands a new way of reading, interpreting and understanding literature in the twentieth and twenty-first centuries.
Hispania is the quarterly journal of the Association of Teachers of Spanish and Portuguese. Hispania includes articles on pedagogy, literature, linguistics, and technology-assisted language instruction related to the Hispanic and Luso-Brazilian worlds. For more information, contact the Editor: Janet Perez Texas Tech University Modern Languages Department Lubbock, TX 79409-2071 janet.perez@ttu.edu
Since its inception in 1917, the American Association of Teachers of Spanish and Portuguese (AATSP) has promoted the study and teaching of Hispanic, Luso-Brazilian, and other related languages, literatures, and cultures at all levels. Through an exchange of pedagogical and scholarly information, the AATSP encourages heritage and second language study and supports projects to that end.
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Hispania
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