Many philosophers suggest (1) that our emotional engagement with fiction involves participation in a game of make-believe, and (2) that what distinguishes an emotional game from a dispassionate game is the fact that the former activity alone involves sensations of physiological and visceral disturbances caused by our participation in the game. In this paper I argue that philosophers who accept (1) should reject (2). I then illustrate how this conclusion illuminates various puzzles in aesthetics and the philosophy of mind.
Philosophical Studies was founded in 1950 by Herbert Feigl and Wilfrid Sellars to provide a periodical dedicated to work in analytic philosophy. The journal remains devoted to the publication of papers in exclusively analytic philosophy. Papers applying formal techniques to philosophical problems are welcome. The principal aim is to publish articles that are models of clarity and precision in dealing with significant philosophical issues. It is intended that readers of the journal will be kept abreast of the central issues and problems of contemporary analytic philosophy.
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Philosophical Studies: An International Journal for Philosophy in the Analytic Tradition
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