As a critical journal for all classical studies, the Gnomon fosters the links between the distinct classical disciplines. It has thus an exceptional position among the classical review journals and allows familiarization with research and publications in neighboring disciplines. The reviews address an international readership from all fields in classical studies. The Gnomon publishes reviews in German, English, French, Italian and Latin. To access recent issues of Gnomon visit: https://www.beck-elibrary.de/zeitschrift/0017-1417
C.H.Beck, founded 1763, is one of the great names – and one of the richest in traditions – among German publishing companies. The publishing house has two main divisions: Legal - Tax - Business and Literature - Nonfiction - Science. With more than 7,000 available titles, about 50 professional journals and an annual production of more than 1,000 new publications and new editions, C.H.Beck also ranks among the top tier of German book and journal publishers in terms of quantity. C.H.Beck is a family business: its present managing owners are direct descendants in the sixth generation of founder Carl Gottlob Beck.
Note: This article is a review of another work, such as a book, film, musical composition, etc. The original work is not included in the purchase of this review.
This item is part of a JSTOR Collection.
For terms and use, please refer to our
Gnomon
© 1958 Verlag C.H.Beck