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"A Man's Story Is His Gris-gris": Ishmael Reed's Neo-HooDoo Aesthetic and the African-American Tradition

Helen Lock
South Central Review
Vol. 10, No. 1 (Spring, 1993), pp. 67-77
DOI: 10.2307/3190283
Stable URL: http://www.jstor.org/stable/3190283
Page Count: 11
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"A Man's Story Is His Gris-gris": Ishmael Reed's Neo-HooDoo Aesthetic and the African-American Tradition
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