Can time be performed? Departing from the "processualist" view in which time is the expressive activity of any given thing, being, or phenomenon, the processes of pervasive temporalization and musicalization— characteristic of Fluxus intermedia— converge to produce concrete, lived time and perpetuate the dialectical interplay of continuity and discontinuity.
TDR provides scholarship on performances and their social, economic, and political contexts. With an emphasis on the interdisciplinary, experimental, and avant-garde, the journal covers dance theater, performance art, popular entertainment, media, sports, and rituals in politics and everyday life.
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TDR (1988-)
© 2011 Cambridge University Press
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