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The Korean Wave and Its Implications for the Korea-China Relationship
Soo Hyun Jang
Journal of International and Area Studies
Vol. 19, No. 2 (December 2012), pp. 97-113
Published by: Institute of International Affairs, Graduate School of International Studies, Seoul National University
Stable URL: http://www.jstor.org/stable/43107242
Page Count: 17
You can always find the topics here!Topics: Korean culture, Chinese culture, Popular culture, Cultural industries, Motion picture industry, Television programs, Broadcasting stations, Asians, Theater, Television broadcasting
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The purpose of this paper is to examine the phenomenon of the Korean Wave (hallyu) in China and explore its implications for the Korea-China relationship. As a cultural phenomenon, hallyu had a significant bearing on the perception of Korea by Chinese people. Korean TV dramas, films, and pop music served as a special window through which Chinese audiences gained an understanding of Korean society and formed a sense of cultural familiarity towards Korea. It also helped generate cultural synchronization between the two countries. As an economic phenomenon, it stimulated collaboration as well as competition between the Korean and Chinese cultural industries.Collaboration in the production and distribution of TV shows and films continues to be widened and diversified. Finally, hallyu served as fertile soil for cultural politics, as it was often entangled with disputes in other realms of the Korea-China relationship, including such issues as cultural heritage, history, and nationalism.
Journal of International and Area Studies © 2012 Institute of International Affairs, Graduate School of International Studies, Seoul National University