Modernist Adolf Loos designed a house for Josephine Baker that she refused to build. This encounter, and a series of Baker "memoirs" authored by other people, form the basis for a reconsideration of her artistry as well as the role of primitivism and performance art in the development of modernism.
Mosaic is a quarterly journal published by the University of Manitoba that brings insights from a wide variety of disciplines to bear on the theoretical, practical, and cultural dimensions of literary works. Some essays highlight the interrelationship between literature and other disciplines, cultural climates, topical issues, recent discoveries, or divergent art forms and modes of creative activity. Mosaic’s essays also explore emerging trends in theory and literary criticism and address the nature and scope of interdisciplinary study itself. Of the four issues the journal publishes each year, at least one is a special issue that addresses a topic of contemporary concern.
Founded more than 137 years ago, and located in the heart of the country, the University of Manitoba is the region’s largest and only research intensive university offering over 100 degrees, diplomas, and certificates – more than 60 at the undergraduate level including professional disciplines such as medicine, law, and engineering.
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Mosaic: An Interdisciplinary Critical Journal
© 2013 University of Manitoba