With a personal account, you can read up to 100 articles each month for free.
Already have an account?
Purchase a PDF
How does it work?
- Select the purchase option.
-
Check out using a credit card or bank account with
PayPal . - Read your article online and download the PDF from your email or your account.
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society's international membership, Ethnomusicology has been published three times a year since the 1950s. Editor: Frank Gunderson, College of Music, Florida State University Complete listing of Ethnomusicology Editors and Editorial Board
Founded in 1918, the University of Illinois Press (www.press.uillinois.edu) ranks as one of the country's larger and most distinguished university presses. The Press publishes more than 120 new books and 30 scholarly journals each year in an array of subjects including American history, labor history, sports history, folklore, food, film, American music, American religion, African American studies, women's studies, and Abraham Lincoln. The Press is a founding member of the Association of American University Presses as well as the History Cooperative, an online collection of more than 20 history journals.
This item is part of a JSTOR Collection.
For terms and use, please refer to our
Ethnomusicology
© 1963 Society for Ethnomusicology