Front Matter
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Table of Contents
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Acknowledgments
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Contributors
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Introduction
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Revisiting the Theater in Egypt:: An Overview
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Burnt-Cork Nationalism:: Race and Identity in the Theater of ‘Ali al-Kassar
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The Tears of a Clown:: Yusuf Idris and Postrevolutionary Egyptian Theater
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E1-Warsha:: Theatrical Experimentation and Cultural Preservation
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Persian Plays and the Iranian Theater
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The Palestinian Hakawati Theater:: A Brief History
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Performing Depth:: Translating Moroccan Culture in Modern Verse
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Gender Challenges to Patriarchy:: Wannus’ Tuqus al-Isharat wa-l-Tahawalat
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From Cultural Authenticity to Social Relevance:: The Plays of Amin al-Rihani, Kahlil Gibran, and Karim Alrawi
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Dance:: A Visual Marker of Qabili Identity in Highland Yemen
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Race, Sexuality, and Arabs in American Entertainment, 1850–1900
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Farewell to Tahia
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Tarab (“Enchantment”) in the Mystic Sufi Chant of Egypt
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Musical Stardom and Male Romance:: Farid al-Atrash
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Modern Arab Music:: Portraits of Enchantment from the Middle Generation
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The Classical Iraqi Maqam and Its Survival
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Musical Attitudes and Spoken Language in Pre-Civil War Beirut
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The Sheba River Valley Dam:: The Reconstruction of Architecture, History, and Music in a Yemeni Operetta
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Middle East Peace Through Music:: A Diwan in Weimar
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Modern Painting in the Mashriq
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Visualizing Identity:: Gender and Nation in Egyptian Cartoons
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Meditations on Painting and History:: An Interview with Huda Lutfi
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Color Plates
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Glossary
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Bibliography
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Index
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