Front Matter
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Table of Contents
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Introduction to Virginia Woolf and the Common(wealth) Reader
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Acknowledgments
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Virginia Woolf Standard Abbreviations
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Invocations
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Education and Empire in Victorian Bloomsbury
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Synthesizing Civilizations:: Leonard Woolf, the League of Nations, and the Inverse of Imperialism, 1928–1933
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James Stephen’s Anti-Slavery Politics:: A Woolfian Inheritance
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Networks of Empire:: Virginia Woolf and the Travel Writing of Emily Eden
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Of Scrapbooks, War, and Newspapers:: Leslie Stephen’s Legacy
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Leslie Stephen’s Science of (Ecological) Ethics
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“The Death of a Beautiful Man”:: Rupert Brooke in Memory and Imagination
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Leonard Woolf and the Ceylon Civil Service:: “I had come to dislike imperialism”
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Virginia Woolf in the British Commonwealth
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“Simplicity and art shades reign supreme”:: Costume, Collectibles, and Aspiration in Katherine Mansfield’s New Zealand
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Wealth in Common:: Gifts, Desire, and Colonial Commodities in Woolf and Mansfield
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On a View from the Rims:: Katherine Mansfield and Emily Carr
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London Calling:: Una Marson in the Colonial London Scene
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Modernism Across the Commonwealth:: Virginia Woolf’s and Arundhati Roy’s Critique of Empire
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From Bloomsbury to Fountain Lakes:: An Australian Virginia Woolf
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War, Peace, Internationalism:: Bloomsbury Legacies
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“Caterpillars of the Commonwealth Unite”:: Photography and Trauma in Three Guineas
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“Drawn from Our Island History”:: Virginia Woolf, Nancy Mitford, and the Politics of Pageantry
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A “Bloodless and Pernicious Pest”:: The Middlebrow’s “Common Man” in the Essays of Virginia Woolf
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Woolf’s Troubled and Troubling Relationship to Race:: The Long Reach of the White Arm of Imperialism
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Woolfian Seamarks:: Commodified Women and the Racial Other on the Shores of Empire
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Documenting Fascism in Three Guineas and The Handmaid’s Tale:: An Examination of Woolf’S Textual Notes and Scrapbooks and Atwood’S “Historical Notes”
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Proportion, Conversion, Transition:: War Trauma and Sites of Healing in Virginia Woolf’s Mrs. Dalloway and Leslie Marmon Silko’s Ceremony
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Preserving Our History of Reading Woolf:: The Common Wealth of Our Past and Future
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Adventures in Common:: Investing with Woolfs and “Securitas”
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Printing “Prelude”:: Virginia Woolf’s Typesetting Apprenticeship and Katherine Mansfield on “Other People’s Presses”
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The Hogarth Press, Digital Humanities, and Collaboration:: Introducing the Modernist Archives Publishing Project (MAPP)
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Woolf Blogging, Blogging Woolf:: Using the Web to Create a Common Wealth of Global Scholars-Readers
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Notes on Contributors
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Conference Program
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