• • Front Matter
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• • Table of Contents
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• • ACKNOWLEDGMENTS
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• • Introduction:: The Precarious Visualities of Contemporary Art and Visual Culture
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• • Introduction
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• • Self-Portraits
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• • Ending Myths and the Catholic Outing of Andy Warhol
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• • The Persistence of Spectatorship:: The Racialized and Ethnicized Gaze
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• • “Are We Still in the Game?”:: David Cronenberg’s eXistenZ
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• • Introduction
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• • What the Body Remembers:: Rebecca Belmore’s Memorial to Missing Women
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• • The Threshold of an Interface:: Ilya Kabakov’s Looking up, Reading the Words (1997)
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• • The Star and the Prisoner:: The Spectacle and Surveillance of the Self on the Web
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• • Introduction
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• • Hallucination as Ideology in Cinema
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• • Introduction
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• • Media Image, Public Space, and the Body:: Around Krzysztof Wodiczko’s Alien Staff
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• • Mediating Place-Identity:: Notes on Mathias Woo’s A Very Good City
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• • Introduction
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• • Janine Antoni’s Lick and Lather:: Eroticism as Identity Subversion
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• • Televisual Flesh:: The Body, the Screen, the Subject
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• • Real Time, Lived Time:: AR Art, Perception, and the Possibility of the Event
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• • Introduction
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• • The Descent of the Image
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• • Resemblance and Identification:: The Paradox of Gary Schneider’s Genetic Self-Portrait
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• • Variations on Genetic Insignificance:: Metaphors of the (Non)Code
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• • AUTHOR BIOS
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• • INDEX
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