• • Front Matter
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• • Table of Contents
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• • Acknowledgements
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• • Introduction: Avant-garde Culture and Technological Transformations
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• • Reframing the Historical Avant-garde – Media, Historiography and Method
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• • The Dialectics of Self-Conception – Film Avant-garde and Industry Around 1930
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• • Strategic Convergence and Functional Differentiation – The Film Societies and Ciné-Clubs of the 1920s and 30s
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• • Mapping a Totality of Networks, Nodes and Flows – Discourses as Practice
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• • Vanishing Point Soviet Union – Soviet Cinema and the West between Innovation and Repression
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• • Melodies Across the Oceans – The Intersection of Documentary and Avant-garde
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• • Conclusion – Bridging the Gaps, Connecting the Dots
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• • Notes
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• • Bibliography
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• • Filmography
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• • Index of Names
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• • Index of Film Titles
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• • Index of Subjects
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• • Back Matter
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