Front Matter
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Table of Contents
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List of Illustrations
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Acknowledgements
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Hard Inclusion
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Our (Inter) Related History
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A First Nations Perspective: The AGO or the Woodland Cultural Centre?
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First Nations and Art Museums
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Framing Aboriginal Art at the Museum of Sydney
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After Essay – Questioning History, Questioning Art
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A Proper Place for Art or the Proper Arts of Place?: Native North American Objects and the Hierarchies of Art, Craft, and Souvenir
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Crossing New Borders to Exhibit Iroquois Tourist Art
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(Cultural) Objects of (Cultural) Value Commodification and the Development of a Northwest Coast Artworld
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After Essay – Indigenous Is the Local
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Edmund Morris: Speaking of First Nations
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Expanded Visions:: Collaborative Approaches to Exhibiting First Nations Histories and Artistic Traditions
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The Cunningham Collection of Haida Argillite at the Art Gallery of Ontario
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After Essay – What’s the Story?
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The Anthropology of Inuit Art:: A Problem for Art Historians
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Status 2000:: Presenting Contemporary Inuit Art in the Gallery Setting
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After Essay – And What About Inuit Art?
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Weaving Stories of Art
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After Essay – After Words
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Five Suggestions for Better Living
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Negotiating Space for Aboriginal Art
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Complex Sightings:: Aboriginal Art and Intercultural Spectatorship
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After Essay – And Also ...
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[Aboriginal] [Representation] [in the Museum] Articulations of the Creative, the Organic and the Instrumental
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Appendix
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Contributors
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Back Matter
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