• • Front Matter
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• • Table of Contents
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• • [Illustration]
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• • INTRODUCTION
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• • THEORIES OF MODERNISM: Politics of Time and Space
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• • THE RETURN OF THE POLITICAL: in Contemoporary Aesthetics, Philosophy and Art
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• • TROUBLES WITH THE ECONOMY, GEOGRAPHY AND HISTORY: The Social Turn
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• • GRAY ZONES – POLITICAL ECONOMY THROUGH FORMS OF LIFE: Eleven Theses on Feuerbach, Friedman, Hayek and Speculative Realism
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• • THE AESTHETICS OF DISRUPTION: Platforms of Avant-Garde Production in Socialist Yugoslavia and Serbia
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• • CONCEPTUAL ART: The Yugoslav Case
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• • BEYOND BORDERS: John Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of Yugoslavia
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• • THE PHENOMENOLOGY OF THE SCREEN (AND / OR / AS) EVENT: Musical De-Ontologisation
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• • AESTHETICS, POLITICS AND MUSIC: The Context of Contemporary Critical Theory
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• • MUSIC AND POLITICS: The Reconstruction of Aesthetics and the Contemporary World
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• • GENERAL THEORY OF IDEOLOGY: Architecture
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• • ARCHITECTURE AS CULTURAL PRACTICE: The Market’s Appropriation of the Social or the Ideology of Multitude
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• • TECHNOLOGIES OF PERFORMANCE IN PERFORMANCE ART: Conceptual and Phenomenological Research
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• • THE AVANT-GARDE: PERFORMANCE AND DANCE: Ideologies, Events, Discourses
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• • DISCOURSES AND DANCE: An Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance
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• • THEORETICAL PERFORMANCE: Performative Knowledge
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• • APPROPRIATIONS OF MUSIC: Postmedia: music
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• • BEYOND PAPER: Postmedia and Flexible Art
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• • BIO ART: The Prehuman / The Human / The Posthuman
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• • SIMULTANEOUSLY ALWAYS, NOW AND EVERYWHERE: A Real Fiction
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• • MULTIPLE POLITICAL/SEXUAL BODIES.: Between the Public and the Intimate
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• • AUTO-CRITICISM OF SUBJECTIVISATION: Painting as Postmedia Politics
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• • A CLAUSTROPHOBIC EVENT: Bare Life
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• • A NARRATIVE: An Utterly Ordinary Evening – PETIT a
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• • ABOUT THE ESSAYS
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• • LITERATURE
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• • ABOUT THE AUTHOR
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• • Back Matter
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