Front Matter
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Table of Contents
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Introduction
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La part picturale du tableau-style
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The Unsettling of Vision:: Tableaux Vivants, Early Cinema, and Optical Illusions
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The Vision Scene:: Revelation and Remediation
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Animating Antiquity
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Caricature et films comiques à la Belle Époque:: quand le dessin de presse rencontre le cinéma
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De la presse illustrée à l’actualité filmée (1894–1910):: l’émergence d’une nouvelle « culture visuelle de l’information »?
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From Pathé to Paramount:: Visual Design in Movie Advertising to 1915
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Landscape Topoi:: From the Mountains to the Sea
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A View Aesthetic without a View?: Space and Place in Early Norwegian Polar Expedition Films
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Between Recognition and Abstraction:: Early Vocational Training Films
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Ruptured Perspectives:: The “View,” Early Special Effects, and Film History
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Surface and Color:: Stenciling in Applied Arts, Fashion Illustration, and Cinema
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The Color Image
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Shared Affinities and “Kunstwollen”:: Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany
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Techniques in Circulation:: Sovereignty, Imaging Technology, and Art Education in Qajar Iran
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Corporeality and Female Modernity:: Intermediality and Early Film Celebrities
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A Scientific Instrument?: Animated Photography among Other New Imaging Techniques
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Advertising with Moving Pictures:: International Harvester’s The Romance of the Reaper (1910–1913)
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The City View(ed):: Muybridge’s Panoramas of San Francisco and Their Afterlives in Early Cinema
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California Landscapes:: John Divola and the Cine-Geography of Serial Photography
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What is a Fake Image?
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The Lantern Image between Stage and Screen
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Pictorialism and the Picture:: Art, Photography, and the “Doctrine of Taste” in the Discourse on Transitional-Era Quality Films
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Boredom and Visions in Vachel Lindsay’s Film Theory
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Falling Desperately in Love with the Image on Screen:: “The Flictoflicker Girl” (1913) and Cinematic Structures of Fascination
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An “Advertising Punch” in Every Frame:: Image-Making in Early Advertising Films
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English Translation of Chapter 1:: The Pictorial in the Tableau Style
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English Translation of Chapter 5:: Caricature and Comic Films in the Belle Époque: When the Illustrated Press Met the Cinema
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English Translation of Chapter 6:: From the Illustrated Press to Filmed Actualities (1894–1910): The Emergence of a New “Visual Information Culture”?
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Subject Index
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Film Index
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Back Matter
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