Front Matter
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Table of Contents
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List of Figures and Tables
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List of Musical Examples
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ACKNOWLEDGMENTS
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INTRODUCTION: String Chamber Music and Its Audiences in the Nineteenth Century
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Publishing Chamber Music:: Archival Evidence for Chamber Music Production and Consumption
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“Domesticating” the Foreign in Arrangements of Operas, Folk Songs, and Other Works for Chamber Ensembles
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Music for Men of Leisure:: An Examination of the Domestic String Style
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Redefining the “Progressive” Style in Responses to Beethoven’s Late Quartets
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Creating “Progressive” Communities through Programmatic Chamber Music
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Audience and Style in Brahms’s String Chamber Music
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The Diversity of Dvořák’s String Quartet Audiences
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APPENDIX 1: J. Strunz, string quartet transcription of no. 18, “Prière” (Prayer), from Meyerbeer’s Robert le Diable
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APPENDIX 2: C. W. Henning, string quartet transcription of no. 8, “Leise, leise, fromme Weise” (Gently, gently, pious words), from Weber’s Der Freischütz
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APPENDIX 3: M. Kässmayer, string quartet arrangement of “Mein Herz ist im Hochland” (My heart is in the Highlands) from Deutsche Lieder, op. 14, no. 4
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NOTES
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BIBLIOGRAPHY
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INDEX
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Back Matter
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