Front Matter
Download
XML
Table of Contents
Download
XML
ACKNOWLEDGMENTS
Download
XML
INTRODUCTION:: HOW FILM BECAME ART
Download
XML
VACHEL LINDSAY AND THE UNIVERSAL FILM MUSEUM
Download
XML
OVERLAPPING PUBLICS:: HOLLYWOOD AND COLUMBIA UNIVERSITY, 1915
Download
XML
MANDARINS AND MARXISTS:: HARVARD AND THE RISE OF FILM EXPERTS
Download
XML
IRIS BARRY, HOLLYWOOD IMPERIALISM, AND THE GENDER OF THE NATION
Download
XML
THE MUSEUM OF MODERN ART AND THE ROOTS OF THE CULTURAL COLD WAR
Download
XML
THE POLITICS OF PATRONAGE:: HOW THE NEA (ACCIDENTALLY) CREATED AMERICAN AVANT-GARDE FILM
Download
XML
CONCLUSION:: THE TRANSFORMATION OF THE STUDIO SYSTEM
Download
XML
NOTES
Download
XML
INDEX
Download
XML